Sound Design provided by Michael at Big Ship. Available from New Amsterdam Records.
Selected press:
Top 5 Classical Recordings of 2015 –The Washington Post
Top 10 for 2015 –WNYC’s New Sounds
Ten Best Albums of 2015 –The Nation
“But even apart from these star performers, this recording, simply as a recording, is—thanks to keen production from Snider and percussionist/studio wiz Lawson White, plus additional electronic contributions from Michael Hammond of New Amsterdam’s vastly underrated No Lands project—a work of art in its own right.” –WQXR’s Q2
“[A] study in the beguiling power of memory… Quieter songs are meticulously orchestrated, too. “The Swan” sways with misty strings, an undulating harp and the painterly touch of an oboe, while “The Speakers” displays an intricate weave of soft piano chords, acoustic guitar, celeste and gently rumbling electronics.” –The Washington Post
Selected press:
Top 5 Classical Recordings of 2015 –The Washington Post
Top 10 for 2015 –WNYC’s New Sounds
Ten Best Albums of 2015 –The Nation
“But even apart from these star performers, this recording, simply as a recording, is—thanks to keen production from Snider and percussionist/studio wiz Lawson White, plus additional electronic contributions from Michael Hammond of New Amsterdam’s vastly underrated No Lands project—a work of art in its own right.” –WQXR’s Q2
“[A] study in the beguiling power of memory… Quieter songs are meticulously orchestrated, too. “The Swan” sways with misty strings, an undulating harp and the painterly touch of an oboe, while “The Speakers” displays an intricate weave of soft piano chords, acoustic guitar, celeste and gently rumbling electronics.” –The Washington Post